Opera in a castle with a thousand stories

Giuseppe Verdi’s Aida, another lasting Savonlinna hit, fully exploits the unique but challenging castle setting, especially in the great choral and dance scenes.

The Savonlinna Opera Festival has become one of the most illustrious fixtures in the Finnish cultural calendar, and an event of the greatest international significance. 

 WHEN the construction of the Olavinlinna Castle began in 1475, the castle’s founder Erik Axelsson Tott, a Danish-born knight, decided that a mighty fortress should be built to protect the strategically important area of Savonia.

Over the centuries the Olavinlinna Castle changed hands between Swedes and Russians. It was not until the beginning of the 20th century with the emerging Finnish identity and Finland’s quest for independence that the Finnish soprano Aino Ackté spotted the  medieval castle as the venue for an opera festival in 1907.

The first opera festival was held in 1912. Despite the First World War, the Russian Revolution, Finland’s Civil War and the ensuing economic difficulties, news of the festival had already reached opera lovers in other parts of the world.

The Savonlinna Opera Festival has grown from a one-week event into an international festival that lasts a month. Each year 10 per cent of the estimated 60,000 that attend come from abroad.

Nine operas have been premiered at the Savonlinna Opera Festival since 1967. The 2008 season sees the premiere of the Festival’s tenth opera on 12 July, The Seven Dog Brothers by Markus Fagerudd. It is the third and last part of the trilogy based on the books by Mauri Kunnas, Finland’s premier children’s writer, on the Finnish lirerary classic by Aleksis Kivi.

The Savonlinna Opera Festival has also been hosting foreign opera companies since 1987. The guest for 2008 is the Shangai Opera House bringing along Verdi’s Otello, and a representative of contemporary Chinese opera, a tantalisingly mystical work called The Wager by Wen Deqing.

The unique festival will be held from 4 July to 2 August, and opens with Arrigo Boito’s Mefistofele, conducted by the festival’s new Artistic Director Jari Hämäläinen.



About Susan Fourtané

As a citizen of the world, Susan began her search for her place in the world back at the beginning of the year 2000. After many travels looking for her place in the world, her soul found that place in Finland in September 2006. She has been living in Helsinki ever since, where she combines fiction and non-fiction writing with Philosophy studies and teaching.
This entry was posted in Helsinki Times, Published Articles. Bookmark the permalink.

1 Response to Opera in a castle with a thousand stories

  1. Sheikspear says:

    Hi Susan!

    Very informative blog. We “e” met on Jezza’s blog comments.

    Did you like the “smile” thing on mine?
    It seemed to help cheer Jeremy along.

    Maybe it did travel the world after all.

    See you round the scribosphere, keep writing!

    Regards, Sheiky

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s